Jimmy likes to say things that are probably not true, and then look at you to see if you'll challenge him. Clementine says what she thinks people want to hear. John's statements are based more on hope than reality. "No, I'm inside," Jimmy says, but Sydney's shot has found its target.īy this point in the film, its writer-director, Paul Thomas Anderson, has us so hooked that we're watching for the sheer pleasure of the dialogue and the acting. "I do some consulting, security, help out on busy nights," Jimmy says. John also makes a friend of an ominous man named Jimmy ( Samuel L. John and Clementine become a couple, even though it's clear Clemmie does some hooking on the side. He watches the waitress Clementine ( Gwyneth Paltrow) flirt with a table of drunks, asks her if she "has" to do that to keep her job and says, "You don't have to do that with me." We begin to understand more about the older man. Sydney and John are still friends, John dressing like Sydney and even ordering the same drinks. ![]() ![]() At the end of the process, it's funny how John, now that he's in his own room, becomes the genial host. This opening sequence is quietly fascinating: I like movies that show me precisely how to get away with something. Step by step, Sydney teaches him some ropes, like how to start with $150 and recycle it through the casino cashier cages until he seems to have spent $2,000 in the casino, and is given a free room. He needs $6,000 to bury his mother and has lost everything.
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